Klopotenko
← All products Product 01 — Consulting
Portrait of Yaroslav Klopotenko

1:1 consulting session

One or two hours, your questions, straight answers — no course, no theory.

Format 1:1 call, 60 or 120 min
Where Zoom / Google Meet
Language UA / EN / PL
You bring Shots, boards, questions
You leave with Notes + reference list

01Who it's for

01

CG artists

You render clean, but the frame stays flat. We look at your work and find what is actually missing.

02

Art directors

Moving from execution to direction — holding a look through a team, a pipeline and a client.

03

Directors

How to enter post-production prepared, so CG and VFX stay on your side of the idea.

04

Producers

Casting the right art director, reading a reel honestly, and scoping CG before you commit.

02What we can go through

(01) Why your visuals stop at good A frame-by-frame read of your work — light, composition, materials, camera, grade. What holds, what breaks, and the shortest path to the next level.
(02) What an art director actually is The qualities the role needs: taste you can explain, decisions under pressure, a language for talking to directors, clients and the team.
(03) Can this person carry the AD role? For producers — how to read a reel past the polish, what to ask in the call, and the signals that a strong artist is not yet a director.
(04) Approaching post-production right For directors — what to prepare before the first call, what post needs on day one, and how to brief so the project stays comfortable to the last frame.
(05) Look-dev, boards and pitch decks Building a visual package that sells the idea and survives the production — references, key frames, and where to stop.
(06) Scope, timeline and reality How long CG and VFX stages really take, where schedules break, and how to plan a look against the budget you have.
(07) Review rounds without pain Giving and receiving feedback that moves shots forward: what to comment on at each stage, and how to avoid the endless-notes loop.
(08) Reel, positioning, next role What to show and what to cut, how to present work for international studios, and how to make the next step deliberate.

Bring the questions. Or the shots you're stuck on.

Send a short note about the project, the role and what you want out of the hour — I'll reply with a slot and a price for the format that fits.

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